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“Noises Off”


Noises Off tickets are now available! Follow the link below to purchase tickets: On the Stage: Noises Off Tickets can also be purchased by calling 973-658-4420. Noises Off runs March

Congratulations to the Cast of “13”


Thank you to all who auditioned for 13 and congratulations to the cast! Evan… Will Flamm Archie… Anthony Cangiamila Brett… Matt Gonzalez Malcolm… Oliver Rodriguez Eddie… Anthony Finke Simon… Nick


Amadeus tickets are now available! Follow the following link to purchase tickets: On The Stage: Amadeus Tickets can also be purchased by calling 973-658-4420. Amadeus runs February 24th and 25th

The 6th Annual One Acts Play Festival


Please join us for our annual One Acts Play Festival! Use this link to purchase tickets online, or call 973-658-4420 to reserve tickets today! Shows are 8 p.m. Friday, 1/20;

Congratulations to the Cast of “The 6th Annual One Act Play Festival”


Thank you to all who auditioned for The 6th Annual One Act Play Festival and congratulations to the cast! Just Desserts Joyce: Donna Bialkin Becky: Michelle Scarr Evan: Brandon Brown Kris:

Budgeting a Season at OLT – An Open Letter from Our President



At our November Monthly Meeting, I facilitated a discussion about how the executive board approaches planning and budgeting a season at OLT. For those not able to join us in person, here’s what you missed!

When first elected president, I encouraged the organization to conduct an open assessment – asking patrons and members to provide feedback on their experiences with, and perceptions, of OLT. The results of this 2013 community satisfaction survey gave us many valuable insights, from which we enacted a few substantive changes.

A leading piece of feedback received indicated that, though the talent on-stage and off was of a high caliber, OLT was not investing financially in them (production teams and musicians), nor in the visual components patrons looked most forward to enjoying – namely set and costume design. As a result, we began a years-long process of reallocating resources, fundraising and other initiatives that would allow us to provide our productions with additional funding for those production aspects. We increased stipends for members of the production team, added a set designer to all main stage productions, and increased budgets for sets, props and costumes.

At this same time, we began collecting and logging data – a must for any business. It’s important for us to understand who our patrons and performers are, what shows they want to see and participate in, and how our productions perform over time. We’ve used data from the past four seasons to help us plan season selection and budget productions selected. This has allowed us both to raise the quality and quantity of our productions. In fact, it’s that very relationship – quality and quantity – and the public confusion about how each relies on the other, that prompted me to discuss our internal planning at our November meeting. It’s important to me and all members of the board that our performers, production teams and members have a full understanding of how, and why, we operate as we do.

First, let’s start with some numbers that will be important to keep in mind:

– We perform in a space that has a maximum capacity of 170. For each performance, that’s the maximum number of tickets that can be sold.
– We have a staggered ticket pricing structure, which at our patrons’ urging we have not changed. We remain committed to not raising ticket prices – which currently are $20 (Adults), $18 (Students/Seniors), $15 (Groups), $10 (Children Under 12/Members) and $5 (House Staff). Over the past four seasons, our average ticket price has been $17.87.
– Over the past four seasons, our average ticket sales across all productions is 91 seats per performance. That’s an overall sales percentage of 53.89%.
– As part of our relationship with the Borough of Fair Lawn – we’re the resident theater company! – we give 20% of all ticket sales to them, following each production.

OLT productions run for one or two weekends, for a total of 3, 4 or 6 performances. Six performance runs are given to main stage musicals, four performance runs are given to one-weekend special event musicals, and three performance runs are given to plays. These performance numbers are based on projected ticket sales balanced against the cost to produce and license each specific show. Plays are much cheaper to produce than musicals – both because they don’t require musicians and because licensing fees are much lower.

For a main stage musical, the maximum ticket sales intake for a sold-out six performance run (170 seats x 6 performances x $17.87) would be $18,227.40. Twenty percent of that would go to the Borough, leaving a maximum net profit of $14,581.92.

As previously noted, we sell an average of 53.89% of tickets. So, likely ticket sales intake for a main stage musical (91 seats x 6 performances x $17.87) would be $9,757,02. With twenty percent going to the Borough, that would leave us a maximum profit of $7805.62 — approximately $3000 below the typical budget currently set for a main stage musical.

In 2016, OLT set a season operating budget of $52,206.65, split across eight productions. As a self-funded, not-for-profit theater, we do not start with that money in the coffers; rather, we set our season operating budget based on what we believe we can make back through our revenue streams. There’s an argument that OLT should return to offering only its constitutionally-mandated four performances each season – one main stage play and three main stage musicals – as doing so would give more money to those productions and benefit the organization overall. But here’s why we don’t–

Let’s assume OLT presents four productions, each running for six performances, and were to maintain the same operating budget ($52,206.62). Given the funding needs of plays and musicals, in a four production season with the same overall operating budget, the starting budgets in this case would be:

– Play – $6425.83
– Musicals – $15,226.94 each

If each of these shows sold at our likely sales rate of 53.89%, the net loss for six performance runs of each would be as follows:

– Play – -$435.73
– Musicals – -$7421.31 each, or -$22,263.96 total

Over the course of one four-show season, this would cost OLT nearly $23,000. As we’re self-funded, not-for-profit and don’t operate from a donor base, this isn’t feasible.

Let’s then say that OLT presents four productions, each running for six performances, but decreased the season’s operating budget – keeping each production’s budget consistent with what was given to each 2016 production, but only for four shows instead of eight. In this case, the budgets would be:

– Play – $5084.28 (adjusted up $500 from 2016 budgets for 6 performance run)
– Musicals – $10,818 each

Under this scenario, if all shows sold at our likely sales rate of 53.89%, the net profit/loss for six performance runs of each would be as follows:

– Play – $1005.82
– Musicals – -$3012.38 each, or -$9037.14 total

Over the course of one four-show season, this would cost OLT more than $8,000.

In order for OLT to project a four-show season that would not lose money overall, production budgets would need to be cut by more than 20% across the board. Rather than increase the budgets for productions, less shows actually ends up meaning less money available for all.

In order to fund more lavish main-stage musicals, it’s proven vital that we also offer smaller, less expensive plays and musicals to help balance out the season financially. Despite all the data detailed above, theater isn’t always a science and what an audience does or does not respond to can’t always be predicted. Through additional offerings like youth productions, play festivals, concerts, original plays and musicals, OLT is able to offer a full season to capture audience’s imaginations – and to fund the bigger shows people want to see and perform in.

Our overall goal is to provide a diverse slate of performance and production opportunities that showcase talented folks in all forms. By offering more productions annually, not only do we ensure we remain fiscally viable, we also present performers and backstage talent with multiple opportunities to become involved. Not a singer? Audition for our plays! Not an adult? Audition for our youth productions! Not free during the school year? Audition for our summer productions! We plan seasons in hopes that everyone will find something that piques their interest – as performer, production team member or patron.

I’m proud of OLT’s growth these past four years and am excited to help shepherd the group into its milestone 50th season. But our growth isn’t about me – it’s about you! It is the community that you all bring to our community theater that has helped it thrive for fifty seasons and counting. As I always say to the cast and crew of each production: Thank you for sharing your time and talents with us. The world is our stage, and we’re very glad you’ve chosen to join us in telling the stories that both reflect, and change, our lives.

Craig M. Tiede
President, Old Library Theatre

Join us for Our 50th Season!


Reserve your seats today!

Subscription Packages

Friend of OLT*

Anyone over the age of 18 is eligible to become a Friend of Old Library Theatre. For $25, Friends receive a membership card guaranteeing them $10 tickets for each production, and an OLT mug! Friends are automatically added to OLT’s mailing list, invited to monthly meetings and are eligible for election to executive board positions.

Season Subscriber

Adult – Any 4 Shows – $60 | All 8 Shows – $120

Senior (60+)/Student (Valid ID Required) – Any 4 Shows – $52 | All 8 Shows – $104

Child (12 and Under) – Any 4 Shows – $28 | All 8 Shows – $56

Please note a $2 processing fee will be charged for online sales.

Subscribers will be contacted by the OLT House Manager prior to each production to select performance dates (subject to availability).


Perry Awards Winners

Old Library Theatre is proud to announce that we have received 5 nominations for the NJACT Perry Awards! Congratulations to all the nominees!

Outstanding Supporting Actress in a Play – Cynthia Smith Barry, Cat on a Hot Tin Roof
Outstanding Supporting Actor in a Musical – Brendan Joel Bartlett, A Funny Thing Happened on the Way to the Forum
Outstanding Supporting Actress in a Musical – Staci Morin, A Funny Thing Happened on the Way to the Forum
Outstanding Featured Actress in a Musical – Ashley Seldon, Aida
Best Production of an Original Musical – Brendan Joel Bartlett (Producer), Mollie Gash (Director), Sing Me a Story

Old Library Theatre’s “Sing Me a Story” Concert

Old Library Theatre, The Fair Lawn Recreation Department’s Resident Theatre company, is proud to present:

SING ME A STORY: Musicals Inspired By Books!

Come enjoy a “catalogue” of hits borrowed from the library, as we celebrate an evening of musicals based on books!

Based on a concept and Directed by Mollie Gash, with Musical Direction by Cathy Corcoran and Produced by Brendan Joel Bartlett, SING ME A STORY promises something for everything, delivering a literary list of classics like Peter Pan, The Secret Garden, Jane Eyre, and Little Women, but the songs don’t stop with the classics – with selections from Hamilton, Fun Home, and Legally Blonde, you might be surprised just how much Broadway owes to Books!

Featuring OLT performers past and present, including:
Brendan Joel Bartlett
Fred Carlton
Debra Carozza
Evan Charpentier
A’ja Desormeau
Elaine Enright
Julie Galorenzo
Mollie Gash
Matt Haines
Evianna Hawkins
Rachel Lichter
Tomo Lovric
Brianna Morris
Eric Parkin
Helene Reiffe
Shayna Rives
Marilyn Schilkie
Bobby Snyder
Craig M. Tiede
Angela Vida
Linda Wielkotz
David Yurch

Put a “bookmark” in your planner for SING ME A STORY: Musicals Inspired By Books!

Saturday, June 25, 2016 – 8:00pm

The performance takes place at the George Frey Center for Arts and Recreation, 10-10 20th Street, Fair Lawn, NJ 07410.

General Admission. All seats $25.
Ticket sell quickly, so please reserve early!

Box office voicemail: 973.OLT.4420
Email: info@oldlibrarytheatre.net

Follow us on Facebook: Old Library Theatre (OLT)
And on Twitter: @OldLibraryTheat


Congratulations to Patt Tanner, OLT’s April 2016 Friend of the Month! Patt

See all our Friends of the Month and visit our Become a Friend page for more information.

The World is Our Stage… And We’d Love for You to Join Us!

Congratulations to our March Friend of the Month


Congratulations to our March friend of the month Dawn Cardona!

Congratulations to February Friend of the Month!

February Friend of the Month:

Mary Claire Bongiovanni

Congratulations! MaryClaire

Congratulations to the cast of Aida!


Thanks to all who auditioned for our upcoming Main stage production of Aida, and special congratulations to the cast:Aida

Aida– Sierra Hunter

Radames – Rob Ryan

Amneris – Ali Rose Harton

Zoser – Gary Lizardo

Mereb – Hamadi Price

Nehebka – Ashley Seldon

Amonasro – Jesse Simpson

Pharoah – Tomo Lovric


Ensemble Men:

Devin Hall

Fred Carlton

Jesse Simpson (also Amonasro)

Bobby Snyder

Chris Gatterdam

Pedro Jiminez

David Yurch

Burl Bishop Rogers

Mark Anthony Lucky

Elmer Cruz

Joe Love Seong


Ensemble Women:

MJ Son

Heather Hussey

A’ja Desormeau

Dana Patrice

So Young Jeon

Tiffany Stewart

Alice Allen

Brittany Bethea

Evianna Hawkins

Allison Miller



To purchase tickets online:
Thursday, December 17, 7:00pm
Friday, December 18, 7:00pm
Saturday, December 19, 7:00pm
Sunday, December 20, 2:00pm

In a faraway kingdom, the green ogre Shrek finds his swamp invaded by banished fairytale misfits, runaways who’ve been cast off by Lord Farquaad, a tiny terror with big ambitions. When Shrek sets off with a wise-cracking donkey to confront Farquaad, he’s handed a task – if he rescues feisty Princess Fiona from the Dragon-guarded tower, his swamp will be returned to him. But, a fairy tale wouldn’t be complete without unexpected twists and turns along the way.